Bill Mitchell
Artistic Director
He's worked as a theatre maker since
1975
In 2005 he created WildWorks. His aim
was to "experiment and develop his passion for landscape theatre and site
specific work internationally"
He leads the company in the work they
create
Bill Mitchell
Artistic Director
He's worked as a theatre maker since
1975
In 2005 he created WildWorks. His aim
was to "experiment and develop his passion for landscape theatre and site
specific work internationally"
He leads the company in the work they
create
David Micklem
Chairman
He looks over the entire workings
of WildWorks and makes sure everything runs smoothly.
Myriddin Wannell
Associate Designer
She helps to design the shows,
how they look etc
She has helped design many
shows including The Enchanted Palace, Babel and The Passion
Charlie Bunker
General Manager
Charlie joined the team in July
2011
She is
responsible for all areas of the company. From the money to the marketing
Sue Hill
Associate Director
She is a member of the Core
Creative Team and works with Bill Mitchell as a designer, she is part of the
community team, she is also a performer and a tutor on the summer schools
She's interested in "the
role of culture and art in building and sustaining communities"
She has been a part of many of WildWorks
productions, such as: Babel, The Beautiful Journey and 3 Island Project
Emma Cameron
WildWorks Technical
She oversees every technical aspect of
the shows, any projections etc
She has worked with WildWorks on
Ark-Ive, Babel and Kasteel Van Gaasbeek
Paul Jarvis
WildWorks Technical
Emma Cameron
Paul Jarvis
WildWorks Technical
He does the same as Emma only he
specialises in outdoor electrics
He has worked with WildWorks on The
Passion, The Enchanted Palace and The Beautiful Journey
Sunita Pandya
Executive Director
She joined WildWorks in May 2011
She helps to manage the company and makes
sure everyone who is a part of the company is satisfied
Mercedes Kemp
Associate Director Community and
Research
She helps Bill Mitchell develop the
story lines and text for the pieces and is a core member of the company
She also creates and keeps the
relationships with the chosen communities, she "explores the relationships
with place and memory" and adapts the text to fit the locations
She does all this through "a
variety of sources: archives, libraries, cemeteries, village
halls, bus stops, local historians, town gossips, snapshots, old photographs,
conversations, and, above all, a close observation of the process of memory and
its effect on the value that people place on their environments"
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